~ ~ ~~~~~~~~~~~~~~~~~~~~~~~~~~ ~ ~
OBSERVATIONS ABOUT THE
MATRIX
~ ~ ~~~~~~~~~~~~~~~~~~~~~~~~~~ ~ ~
COLOUR THEMES
OTHER
~ ~ ~~~~~~~~~~~~~~~~~~~~~~~~~~ ~ ~
Color Themes
This movie uses color themes,
where a single color dominates many scenes in the movie. Some other movies I've
seen that use this visual technique are The Cook, the Thief, His Wife &
Her Lover, and Temptation of a Monk, to name just two. The three
main colors (other than black) in the movie, in order of how often they occur
are Green, Blue, and Red.
Green
The green color theme starts at
the very beginning of the movie, and it is the most often used theme. The
green-on-black theme may be a reference to old monochrome computer monitors,
which often displayed green on a black background. The original Compaq Portable
computer was like this, for example.
Green theme notes:
- The initial WB logo is a special green and black version, as is the
Village Roadshow logo.
- The start and end titles are green lettering on a black background.
- The glyphs that appear on the monitors in the Nebuchadnezzar are
green on black.
- Neo's alarm clock shows green letters on a black background.
- When Morpheus is in the Matrix, he wears a green necktie. When he
is in the real world, he doesn't.
- The wallpaper in the Oracle's apartment is green, and all the walls
in that building are painted green.
- The Oracle's outfit is green.
- "All of the Exit signs in Neo's city are green, and not the
typical red color." -- quoted from Jen's Matrix Site [Note: this is
the standard color scheme in Sydney, where the movie was filmed, so this
is not an "intentional" use of green.]
- Green seems to be associated with the Matrix. Most scenes in the
Matrix use a green theme. [Note: Blue is said to represent the real world,
as opposed to the Matrix]
- Agent Smith's file folder that he brings into the interrogation
room is green.
- Neo's telephone is green.
- Green may also stand for danger. The entire opening
action
sequence, where Trinity comes very close to being very dead, is very
green, as is the interrogation scene, where Neo is bugged.
- During the scene with Thomas on the phone with
Morpheus in the Metacortex building, it is the same green of the Xerox
machine, like the Matrix is a photocopy of reality.
The green and black opening title
sequence of The Matrix seems influenced by another movie, Ghost in
the Shell. In Ghost in the Shell, a Japanese animated
movie, green digits on a black background rapidly change and then resolve into
the title credit text. (The Matrix does it better, I think, but it is
clearly the same idea.) Also, at the beginning of Ghost in the Shell,
green wireframe-like graphics on a black background are used to represent
cyberspace.
The first computer displays seen
in the beginning of the movie Blade Runner (at the police station)
also use these "retro" green-on-black displays.
Blue
Blue is the second most used
color theme.
Blue theme notes:
- The scenes that take place in the Metacortex building (Neo's
office) are blue themed.
- The delivery guy who gives Neo the cell phone is wearing blue.
- Scenes inside the Nebuchadnezzar (Morpheus' ship) are blue themed.
- If Neo had taken the Blue Pill, he would have returned to life in
the Matrix without finding out what it really was.
- There is a blue sign outside the building where the cops are
looking for Trinity in the beginning.
- Blue seems to be associated with the mundane.
"teasmoke" "Blue would appear to stand for slavery in the
Matrix. The office building scenes are blue, and there is the blue
pill, which would have returned Neo to slavery."
- On the Nebuchenezzer, the chairs they sit in to return to the
matrix are all faded blue.
- One theory is that blue represents the real world, in which the
entire human race is enslaved.
Red
There isn't much Red in the
movie. It is used for a few particular things, rather than whole scenes.
- The Red Pill gives Neo knowledge of the Matrix
- The Woman in Red appears in the training program, and later Mouse
has an autographed picture of her.
- The chair Morpheus sits in when Neo first meets him is red. Those
same red chairs appear later in the "staging area" program with
the white background.
- The scene where Neo wakes up in the pod is mostly red or pink.
- Cypher is the only character in the movie to wear red (possibly a
premonition of his betrayal)
Robert King contributes the
following analysis:
- I think you can say that RED would be the color that represents
sacrifice for freedom. (RED usually indicates blood --> bloodshed is
usually a requirement for freedom)
- Red pill = freedom
- Red woman = by longing for the woman in red Neo risks his freedom
in taking a second look and almost getting shot by an Agent
- Red blood = end of the movie, when he bleeds and becomes freed from
his mind and becomes "The One"
- Red "pod" = when he wakes up and sees the red stuff
around him, he becomes freed from the enslavement of the Matrix
Yellow
Theme?
There is the possibility of a
yellow theme, too. The yellow could stand for the AIs' control in the
Matrix. The Agents' jackets have yellow linings, and Neo's did too when he was
in the office building. One theory is that this is a display of the cowardice
of the wearer for being a cog in the System. In Tom's case for playing his part
in the corporate world instead of being his true self. In the case of the
agents for exploiting their superior powers to dominate and bully.Plus, the
scenes with the Agents trying to break Morpheus (the AIs exerting control if
they ever do) are yellow-tinted. However, they stop being yellow at all and
turn to normal coloration when Neo and Trinity set the sprinklers going with
the bomb-- when the Agents aren't in control of the situation any more. The
fight between Agent Smith and Morpheus in the hotel is yellow.
Reflections
Reflections form another visual
theme in the movie. Many of these may be seen in the characters' sunglasses.
Most of these sunglass-lens reflections are probably digital effects and not
"actual" reflections, because they either show things that are in the
Matrix, or they are shot from such an angle that a real reflection would show
the camera.
During the "woman in
red" training sequence, if you look carefully at the reflections in
Morpheus' sunglasses, they don't seem to reflect everything that they ought to.
Neo's reflection is clearly there, but the background objects and other people
seem to have vanished.
If you
think about this from a technical point of view it makes sense. You can tell
that the part where Morpheus freezes the simulation was shot against a coloured
background (most likely green as used in the Neo Bullet Time sequence) so that
the background & people could be digitally edited in later. Hence there are
only three people actually in that room (Morpheus, Neo, and the Agent), which
explains why you would only see Neo reflected in Morpheus's sunglasses. With
this in mind maybe the other reflections seen throughout the movie are real and
not digital effects.
Reflection notes:
- In the shot of the helicopter flying directly overhead, it seems to
approach and then merge into its reflected image in the windows on the
side of the building. This foreshadows the destruction of the helicopter
after Morpheus is rescued, when it crashes into the side of a building and
once again seems to collide with its own reflection.
- In the Red Pill / Blue Pill scene, one pill is reflected in each
sunglass lens.
- After Neo takes the Red Pill and is connected to the equipment, he
sees his own reflection in a cracked mirror, which then becomes a
liquid-like surface that he reaches out and touches. The mirrored surface
spreads over his body, still reflecting his face and other objects in the
room.
- We see Neo reflected in the silver doorknob outside the Oracle's
apartment.
- Inside the Oracle's apartment, we see both Neo and the child
reflected in the spoon that bends.
- When Neo awakens in the pod, and the strange spiderlike robot
approaches him, his face is reflected in the headlight-like probe of the
robot.
- We see Neo being carted out of his office building by the agents in
the rear view mirror of a motorcycle, which seconds later we see belongs
to Trinity. So, in a sense we are seeing exactly what she was seeing
becuase she was looking at the action through the mirror as well.
The distorted reflections stand
for the real world's interface with and control over the Matrix: Neo is rescued
from the Matrix, the real overpowering the dream, through the molten mirror.
The Oracle, the resistance's interface with the secrets of the Matrix, has a
mirrored doorknob. The bending spoon, demonstrating the awakened’s ability to
control the Matrix, reflects the spoon boy's face and Neo's. Lastly, the serum
the Agents inject Morpheus with, looking for a controlling interface over his
mind, appears quicksilvery, like mercury.
In the chat session with the Wachowski brothers, the
following exchange occurs:
ThedrickFel says: What exactly was the mirror made of? Was it the
same stuff they injected into Morpheus? Why silver?
WachowskiBros: The mirror is actually a mirror. When Neo sees it it's a
hallucination, but it's the direct result of the pill Morpheus had given Neo.
Reflections in general are a significant theme in the film. The ideas of worlds
within worlds. The idea of the reflection, the two Neo's in Morpheus glasses
represents the two lives that Neo is leading. In the left lens, we see the blue
pill and Thomas Anderson, and in the right lens, we see the red pill and Neo.
The Matrix as a Buddhist metaphor
- The central problem facing humanity in the movie is delusion. Most
humans do not understand the illusory nature of the Matrix. Morpheus
says:"The Matrix is the world that has been pulled over your eyes
to blind you from the truth."
- After Neo realizes the true nature of the Matrix and escapes into
the real world, he returns to the Matrix to help liberate others, in the
manner of a Bodhisattva.
- "... it is not the spoon that bends, it is
you." (Said by the boy at
the Oracle's apartment to Neo.) This (and perhaps other pieces of
dialogue, too) seems like an allusion to a famous Zen koan. In the version
of the koan I remember reading, three monks are looking at a flag waving
in the breeze. The first says, "the flag is moving." The second
says, "no, it is the wind that moves." The third says, "no,
it is not the flag or the wind, it is your mind that moves."
- Awakening: The first message that mysteriously shows up on
Neo's screen says "Wake up, Neo." Later Morpheus says, "You
have the look of a man who accepts what he sees because he expects to wake
up. Ironically, that's not far from the truth." The word
"Buddha" means "awakened." Also, the song that plays
over the end credits is called "Wake Up."
In the chat session with the Wachowski brothers, the
following exchange occurs:
wrygrass says: Did ideas from Buddhism influence you in making the
film?
WachowskiBros: Yes. There's something uniquely interesting about Buddhism and
mathematics, particularly about quantum physics, and where they meet. That has
fascinated us for a long time.
Visual References to
Other Movies
- When Neo goes to meet Morpheus, and the characters walk up the
stairs, the stairway is shown from above, looking straight down with a
dizzying, turning camera angle. This could be a visual reference to
Hitchcock's Vertigo.
- Near the end, when Neo and Smith face off in the subway, the two of
them stand there for a moment looking at each other, with their hands
hovering at their sides, and a few scraps of newspaper blow across the
space between them. The camera angles, poses, and general effects here are
a visual reference to High Noon (and other Westerns). The blowing
scraps of newspaper may be the equivalent of tumbleweeds. The audio
cues here have a strong bond with typical Western gunfight scenes.
"There is the sound of a rising metronome during the standoff scene
just before the shootout begins. the sound is like a stick being hit upon
a block of wood with a constantly rising tempo, just like you might hear
in a Clint Eastwood shootout scene on a dust blown dirt Main Street in an
Arizona ghost town."
- At the end, when Neo and Trinity kiss, sparks fly behind their
heads . . . quite literally, because the sentinels are attacking their
ship! But this "kiss = fireworks going off" visual image could
be interpreted as a reference to corny old romance movies and TV shows.
More Vertigo
References?
The initial chase scene in the
Matrix across the rooftops with the cops pursuing Trinity is nearly identical
in structure to the first scene in Vertigo, with some shots set up
exactly as filmed by Hitchcock.
The elements seeming very similar are:
- The shot of one of the cops who almost doesn't make the jump from
one building to the other (shot looking directly up from below) is
practically identical.
- I think the scene on the roof begins with a shot of Trinity's hands
on a ladder? If so, then it's another element that invokes Vertigo.
- The tin roofs with the sounds of clattering footsteps as they run.
Other interesting
things to look for
- In the training program fight scene, Morpheus does two obvious
moves from Yang style Tai Chi Chuan: "Single Whip" and
"White Crane Spreads Wings." There may be more, but those were
the easiest to pick out.
- When Neo is getting downloads of various martial arts programs, one
of the programs listed on the screen is "drunken boxing." This
is not a joke, though. Drunken Boxing is the name of a real style
of Chinese martial arts.
- When Cypher is seen in the real world his left ear is scarred. In
the Matrix, it looks normal and he has an earring.
- There is a clear shot of one of them pressing the up button on the
elevator. The button reads "Do not use in the event of a fire."
This, of course, precedes the huge fire bomb they are about to drop into
the lobby.
- In the scene where bullet casings can be seen dropping straight
down towards the camera from the helicopter, if you look at the building
you can see a great deal of water streaming down the side of the building.
This is because the sprinkler system has been activated by the bomb.
- "Neo" is an anagram of "One" as in "The
One." Neo also means new, and Neo is the newest member of the group.
- When the Oracle tells Neo he isn't The One, she says "maybe in
your next life." Near the end of the movie, he does briefly die and
then come back to life, so technically maybe he is in his
"next life" at the very end.
- At the end, when Neo is being chased by the Agents, he goes into
the Heart o' the City hotel, room 303. This is the same room Trinity was
in at the very beginning of the movie, so it creates a kind of plot
symmetry. The number 303 may be a reference to the real-life computer
hacker group "303." Even if not intentional, it is an
interesting coincidence.
- Another symmetry: the movie starts and (nearly) ends with a flashing
green cursor on a black background, and the sound of a phone ringing.
- Rhineheart (Neo's boss) says to him, "The time has come to
make a choice, Mr. Anderson. Either you choose to be at your desk on time
from this day forth, or you choose to find yourself another job." There
is an echo of this later, when the Oracle tells Neo, "you're
going to have to make a choice." (i.e. to sacrifice himself or
Morpheus)
- Near the beginning when Neo is at work and following Morpheus'
instructions, he goes into one of the offices, opens the window, and steps
out onto the ledge. This is kind of weird because windows in giant office
buildings usually cannot be opened.
- When Neo is out on the ledge of the office building, he drops his phone, tries to get it back as it falls but
then gives up. As he does this, the phone's fall pauses, then resumes
accompanied by the sound effect that occurs whenever a "law"
such as gravity is bent. This may foreshadow his ability to control the
Matrix. Note: the shot of the falling phone also is echoed near the end in
the shot of Cypher's phone falling into the garbage can.]
- In the interrogation room, Agent Smith tells Neo he has been living
"two lives" and that one of these lives has a future and the
other does not, but he doesn't say which one. He turns out to be right,
although it is the normal life as Thomas Anderson that doesn't have a
future, and the life as Neo that does, probably the opposite of what he
(the Agent) meant to say.
- The Blind Man Scene.
- The Oracle never says that Neo wouldn't be the
one, Neo says it by himself. The Oracle looks at him and his hands and he
says "I'm not the one" and the Oracle just says "I'm
sorry," which doesn't mean that the Oracle confirms what Neo said.
This is quite interesting, because Neo always says "The Oracle told
me that I'm not the one" after his chat with the Oracle, I guess this
means that Neo is like the Oracle said: "not too bright
though..."
- In the scene where Morpheus is being interrogated, he has blood and
cuts on his face, and as he runs towards the helicopter to escape, it
looks like he is shot in the leg. After he exits the helicopter, he
has no blood on his face and for the rest of the movie his leg seems
fine. This is either a continuity error in the movie, or it shows
that Morpheus can use his control over the Matrix to heal his body.
- In the beginning during the voice-over, Cypher mentions that Neo
bought a box of Captain Crunch. This could be a reference to the legendary
phone phreak/hacker Captain Crunch or the Captain Crunch whistle that
sounded at exactly 2600 Hz, the pitch used to seize switching networks.
- When we are first introduced to Neo, his hacker friend says
"Hallelujah. You are my savior, man. My own personal Jesus
Christ." And, in essence, Neo is the savior for all mankind
still trapped inside the Matrix.
- Neo's boss at the software company tells him, "You believe
that you are special, that somehow the rules do not apply to you.
Obviously you are mistaken." Actually, this foreshadows that
he is the One and that the rules of the matrix will not apply to him, so
it is his boss who is mistaken.
- Visually, the water running down glass in a few scenes (the
metacortex office windows, the rear windows of the car where Neo is
"debugged) appears quite similar to the scrolling matrix code we see
many times.
- In the scene where Neo is sitting in his cubicle (mysteriously
staring blankly at the computer screen) a Fed Ex delivery person enters.
As he hands Neo the package, there is an unidentified resting hand ( URH )
on the table behind him. It can't be the delivery man's hand because it is
too far away and both of the delivery persons' hands are filled. It can't
be Neo's hand because it is in the wrong place and facing the wrong
direction. It appears to be a left hand, and wearing a wristwatch or wrist
band. Note: this is only visible on the VHS version of the Matrix. It
could not be seen it on the DVD.
- Another mysterious foreshadowing is when Choi comes to see Neo.
When he comments on how Neo looks stressed and needs some "r and
r" he says that Neo needs to "unplug" and this is exactly
what he does! Neo is truly "unplugged" from the Matrix later in
the pod scene.
- At the very end, when Neo is running from the Agent, he runs right
through an apartment (near 2:00:25 on the DVD). In the living room we see
an old woman sitting in a chair. Neo then runs through the kitchen, and
there is another old woman standing by the sink. If you look closely,
these two women appear to be the same person (or twins).
- In the lobby scene, Neo is shown firing two submachineguns, one in
each hands, at the guards. The viewer can clearly see the supposed cartridge
casings ejected from the submachineguns falling towards the floor, but
upon closer inspection they are incorrect. The shells are much too long to
be anything but rifle-caliber casings, yet clearly the magazine of the
weapon is not large enough to house bullets of such a size (submachineguns
use shorter pistol-caliber bullets.) Clearly, the producers decided to
substitute more impressive-looking casings to "spice up" the
falling-cartridge shot to the viewer.
- "The smg's he uses are 9mm, and the casings are
5.56x45mm."
- The sunglasses the agents are wearing have square lenses and the
rebels have rounded lenses. When they go to see the Oracle, Cypher's
sunglasses have square lenses, too. The rounded lenses may stand as being
organic and the square lenses being mechanical, with Cypher joining the
mechanical side. When Neo is running between cubicles in his office near
the beginning of the movie, he runs past an office worker who is making
photocopies. But the guy is making copies while the lid of the copier
is still up (which tends to make for really poor copies). You can
see the light coming up from under the glass. This all goes by very
quickly while Neo is running past.
~ ~ ~~~~~~~~~~~~~~~~~~~~~~~~~~ ~ ~ BACK TO ROOF ACCESS ~ ~ ~~~~~~~~~~~~~~~~~~~~~~~~~~ ~ ~